This is part of a series of posts telling my stories as a choir member in York Theatre Royal's show "In Fog and Falling Snow" (tickets available here).
Given there are 150 people in the cast & choir, there's not
much room in the programme, so here's my long answer to the question people are frequently asking me at the moment:
how exactly did you get into singing at the National Railway Museum?
My first theatrical outing in York was the Poppleton Panto in Feb 2013 shortly after we moved here, where I played a “Scottish Doll” and rather surprisingly managed to convince quite a few local people I was Scottish (much to my amusement). This was where I first formulated the York Railway Game: since it is impossible to attend any social function in York without encountering someone who works on the railway, the game is to see how long it takes to find that person at any given gathering. Being in panto means that whenever I need to talk to Network Rail’s Head of Track for the whole North East region, our conversations now start with “How’s your daughter doing with her singing?” Based on her star performance as the lead in this year's Sleeping Beauty, I’d say rather well…!
My band The Spectacles features my husband
Ed on guitar, folky vocals from me, with songs mostly written by Ed inspired by
Dido and Kirsty McColl. We've played several gigs in York, including events for
York Fairtrade Forum and Christian Aid Collective at City Screen
Basement and at various open mic nights. If you're looking for a band for an event you're planning, feel free to leave a comment!